KING CRIMSON: THE COLLECTABLE KING CRIMSON VOLUME ONE (LIVE IN MAINZ, 1974 / LIVE IN ASBURY PARK, 1974) /2CD

Live In Mainz, 1974      
1-1   Improv: The Savage      2:13
1-2   Dr Diamond      5:49
1-3   Improv: Arabica      2:29
1-4   Exiles      7:01
1-5   Improv: Atria      6:15
1-6   The Night Watch      5:08
1-7   Starless      12:27
1-8   Lament      4:20
1-9   Improv: Trio      4:36
1-10   Easy Money      7:51
Live In Asbury Park, 1974      
2-1   Walk On ... No Pussyfooting      0:09
2-2   Larks' Tongues In Aspic: Part II      6:25
2-3   Lament      4:21
2-4   Exiles      7:16
2-5   Asbury Park      11:42
2-6   Easy Money      11:08
2-7   Fracture      11:02
2-8   Starless      15:50
2-9   21st Century Schizoid Man      9:33

Post 2008 release from [l=Promese], as per the matrix information. Compiles [r=1027074] and [r=3321119], both of which were previously mail-order-only releases. Issued in a slim double jewel case, with 12-page booklet. CD1, Live In Mainz, March 30, 1974: Drawn from the band's original 2 track stereo soundboard mix - sound quality: very fine All titles published by BMG Music Publishing Ltd., except 1-1, 1-2, 1-3, 1-5 published by Crimson Music/BMG Music Publishing Ltd. John Wetton's sleeve notes: New Forest, December 2000 CD2, Live In Asbury Park, June 28, 1974: Drawn from the original multi track analogue tapes - sound quality: excellent All titles published by BMG Music Publishing Ltd. Sid Smith's sleeve notes: Whitley Bay, May 2006 [Back cover] "The Collectable King Crimson presents a series of concerts drawn from all eras of the band's history from 1969 to the present day. As the primary consideration is the quality of performance and recordings vary from cleaned up bootleg recordings through to fully professional multi track tapes, each concert in the series identifies the original tape source and a guide to sound quality." The phonographic copyright in these performances is operated by Discipline Global Mobile on behalf of the artists, with whom it resides, contrary to common practice in the record industry. Discipline accepts no reason for artists to assign the copyright interests in their work to either record company or management by virtue of a "common practice" which was always questionable, often improper, and is now indefensible. ℗ & © 2006 Robert Fripp Printed in the EU [Discs] Made in the EU ℗ & © 2006 Robert Fripp Track times not printed on the release.